Outstanding Achievement in Sound Editing – Single Presentation
 
Oasis
 
Amazon Studios
 
Supervising Sound Editor: Lee Walpole, MPSE
 
Sound Designer: Andy Kennedy
 
Sound Effects Editor: Saoirse Christopherson
 
Supervising Dialogue Editor: Stefan Henrix
 
Foley Editor: Philip Clements
 
Foley Artist: Anna Wright, Catherine Thomas

 

 

Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical

The Get Down

"Only from Exile Can We Come Home"

Netflix

Supervising Music Editor: Jamieson Shaw

Music Editors: Jordan Ross, Dave Robertson

 

 

Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical

The Get Down

"Only from Exile Can We Come Home"

Netflix

Supervising Music Editor: Jamieson Shaw

Music Editors: Jordan Ross, Dave Robertson

 

 

Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley

Godless

"Homecoming"

Netflix

Supervising Sound Editors: Wylie Stateman, MPSE, Eric Hoehn

Sound Effects Editors: Harry Cohen, MPSE, Hector Gika, MPSE, Sylvain Lasseur, Leo Marcil, Jackie Zhou

Ozark

"The Toll"

Netflix

Supervising Sound Editors: Nick Forshager, Stephen Grubbs

Sound Effects Editor: Matt Temple

Foley Editors: Jeff Cranford, Daniel Raphael

Foley Artists: Tim Chilton, Jerry Trent, Jill Sanders, Ginger Geary

 

Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR

Black Mirror

"USS Callister"

Netflix

Supervising Sound Editor: Kenny Clark

Dialogue Editors: Michael Maroussas, Matt Skelding