66th Annual Golden Reel Awards Winners

Photos Currently Available Here

FILMMAKER AWARD
Antoine Fuqua
CAREER ACHIEVEMENT AWARD
Stephen H. Flick

 

Outstanding Achievement in Sound Editing – Animation Short Form
 
Overwatch
Reunion
Blizzard Entertainment
Supervising Sound Editor: Paul Menichini, MPSE
Audio Lead: Caroline Hernandez, MPSE
Sound Designers: Alexander Ephraim, MPSE Harry Cohen, MPSE, JP Walton
Sound Effects Editors: Christopher Battaglia, MPSE, John Thomas
Dialogue Editors: Isaac Hammons, Christopher Cody Flick
Foley Editor: Gary Coppola, MPSE
Foley Artist: Gregg Barbanell, MPSE
Supervising Music Editor: Derek Duke
Music Editors: Adam Burgess, Sam Cardon
Scoring Editor: John Kurlander
  
 
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
 
NextGen
Netflix
Supervising Sound Editors: David Acord, Steve Slanec
Sound Effects Editors: Kimberly Patrick, Pascal Garneau
Dialogue Editors: Qianbaihui Yang
Foley Artists: Ronni Brown, Margie O'Malley
Foley Editors: Jim Likowski, Ryan Frias, Richard Gould
Music Editor: Sebastian Zuleta
 
 
Outstanding Achievement in Sound Editing – Feature Animation
 
Spider-Man: Into the Spider-Verse
Sony Pictures Entertainment / Marvel
Supervising Sound Editors: Geoffrey Rubay, Curt Schulkey
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul, MPSE, David Werntz, Christopher Aud, MPSE, Ando Johnson, Benjamin Cook, MPSE, Mike Reagan, Donald Flick
Dialogue Editors: James Morioka, Matthew E. Taylor
Foley Artists: Gary Hecker, MPSE, Michael Broomberg, Rick Owens, MPSE
Foley Editor: Alec Rubay
 
 
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

Searching for Sound Islandman and Veyasin
Karga Seven Pictures / Red Bull TV
Supervising Sound Editor: Suat Ayas, MPSE
Dialogue Lead: Justin Stark
Sound Effects Editors: Tolga Boyuk, Emin Yasin Vural
Dialogue Editor: Okan Isik


Outstanding Achievement in Sound Editing – Feature Documentary (Tie)
 
Free Solo
National Geographic Documentary Films
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Filipe Messeder, MPSE
Foley Artist: Nuno Bento
Foley Editor: Rolan Vajs
 
 
They Shall Not Grow Old
Wingnut Films / Fathom Events / Warner Brothers
Supervising Sound Editors: Martin Kwok, Brent Burge, Melanie Graham, Justin Webster
Supervising Dialogue Editor: Emile De La Rey
ADR Supervisor: Nigel Stone
Sound Effects Editors: Hayden Collow, Dave Whitehead
Dialogue Editors: Matt Stutter, MPSE, Helen Luttrell, Chris Todd, Matthew Lamboum
Foley Artist: James Carroll
Foley Editors: Craig Tomlinson, Tom Scott-Toft
 
 
Outstanding Achievement in Sound Editing –
Computer Cinematic
 
World of Warcraft: Battle for Azeroth
Blizzard Entertainment
Supervising Sound Designer: Paul Menichini, MPSE
Sound Designers: David Farmer, Harry Cohen, MPSE, JP Walton
Sound Effects Editors: Keith Bilderbeck, John Thomas, Alexander Ephraim, MPSE
Audio Lead: Caroline Hernandez, MPSE
Dialogue Editors: Issac Hammons, Christopher Flick
Foley Artist: Gregg Barbanell, MPSE
Foley Editor: Gary Coppola, MPSE
Scoring Editor: John Kurlander
Supervising Music Editor: Derek Duke
Music Editor: Neil Acree

 
Outstanding Achievement in Sound Editing – Computer Interactive Game Play
 
God of War
SIE Santa Monica Studio
Audio Directors: Rob Burns, Nassim Ait-Kaci
Audio Lead: Mike Niederquel
Sound Designers: Chris Clanin, Daniel Birczynski, Mike Maksim, Sam Bird, Roel Sanchez, Karen Waller, Erick Ocampo,
TJ Schauer, Jeff Darby, Adam Boyd, MPSE, Michael Finley, Chad Bedell, Patrick Ginn, Emile Mika, Eric Buensuceso, Karen Waller
Dialogue Lead: Leilani Ramirez
Supervising Sound Editor: Shannon Potter
Dialogue Editors: Justin Conmy, Ryan Schaad, Aaron Seiden, Jodie Kupsco, Heather Plunkard
Foley Artists: David Jobe, Dawn Fintor, Alicia Stevenson
Supervising Music Editors: Peter Scaturro, Keith Leary


Outstanding Achievement in Sound Editing – Non-Theatrical Feature
 
Extinction
Good Universe / Universal Pictures
Supervising Sound Editors: Will Files, P.K. Hooker
Supervising ADR Editor: Lisa J. Levine
Sound Effects Editors: Justin Davey, MPSE, Ken McGill
Dialogue Editors: Ryan Cole, Polly McKinnon
Foley Artist: Steve Baine
Music Editor: Brett Pierce, MPSE


Outstanding Achievement in Sound Editing –
Special Venue
 
Age of Sail
Google Spotlight Stories
Supervising Sound Editor: Scot Stafford
Sound Designer: Jamey Scott, MPSE
Sound Effects Editor: Jamey Scott, MPSE
Music Editor: Mark Willsher
 
 
Outstanding Achievement in Sound Editing – Foreign Language Feature

Roma
Netflix
Supervising Sound Editors: Sergio Díaz, Skip Lievsay
Sound Designers: Sergio Díaz, Skip Lievsay
Supervising Dialogue Editor: Carlos Honc Navarro
Supervising ADR Editors: Carlos Honc Navarro, Ruy Garcia
Dialogue Editors: Manuel Montaño Mancilla, Caleb Townsend, Michael Feuser
ADR Editors: Michael Feuser, Alexa Zimmerman
Sound Effects Editors: Eric Dounce, Luis Huesca, Luis Parra, Mitch Osias, Craig Berkey, Javier Quesada, Steve Browell
Foley Artists: Alan Romero, Jay Peck
Foley Editor: Jaime Sainz, Igor Nikolic


Outstanding Achievement in Sound Editing – Live Action Under 35:00
 
Short Treks
"The Brightest Star"
CBS All Access
Supervising Sound Editor: Matthew E. Taylor
Sound Designer: Tim Farrell
Sound Effects Editor: Mike Schapiro
Dialogue Editor: Sean Heissinger
Foley Artists: Nancy Parker, MPSE, Chris Moriana
Foley Editor: John Sanacore, MPSE
Music Editor: Matt Decker
 
 
Outstanding Achievement in Sound Editing - Episodic Short Form – Music / Musical (Tie)

American Horror Story: Apocalypse
“The End”
FX Networks
Music Editor: David Klotz


Vikings
"Moment of Vision"
MGM Television / History Channel
Supervising Music Editor: Yuri Gorbachow, MPSE
Music Editor: Lise Beauchesne


Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR
 
The Americans
"Harvest"
FX Networks
Supervising Sound Editors: Ken Hahn, Neil Cedar
Dialogue Editor: Gerald Donlan
ADR Editor: John Bowen

Outstanding Achievement in Sound Editing - Episodic Short Form – Effects / Foley
Atlanta
"Teddy Perkins"
FX Networks
Supervising Sound Editor: Trevor Gates, MPSE
Sound Effects Editor: David Barbee, MPSE
Foley Artists: Tara Blume, Matt Salib
Foley Editors: Geordy Sincavage, Michael Head, Jordan McClain
Outstanding Achievement in Sound Editing – Single Presentation

Phillip K. Dick's Electric Dreams
Sony Pictures Television / Amazon Studios
Supervising Sound Editor: Mark A. Lanza, MPSE
Supervising ADR / Dialogue Editor: Mark A. Lanza, MPSE
Sound Designers: Harry Snodgrass, MPSE, Mark A. Lanza, MPSE
Sound Editor: Harry Snodgrass, MPSE
Dialogue Editor: Ryne Gierke
Foley Artists: Sarah Monat-Jacobs, Robin Harlan
Foley Editor: Eryne Prine, MPSE
Music Editor: Michael T. Ryan, MPSE, Brittany DuBay

Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical
 
The Marvelous Mrs. Maisel
"We're Going to the Catskills"
Amazon Studios
Music Editor: Annette Kudrak


Outstanding Achievement in Sound Editing - Episodic Long Form –
Dialogue/ADR
 
Westworld
"The Riddle of the Sphinx"
HBO
Supervising Sound Editor: Thomas De Gorter, MPSE
Supervising ADR Editor: Brett Hinton
Dialogue Editors: Fred Paragano, Brian Armstrong, MPSE

 
Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley
 
Altered Carbon
"Out of the Past"
Netflix
Supervising Sound Editor: Brett Hinton
Sound Effects Editors: Owen Granich-Young, Mark Allen, Austin Krier
Foley Artist: Noel Vought
 

Outstanding Achievement in Sound Editing –
Music Score

Spider-Man: Into the Spider-Verse
Sony Pictures Entertainment
Music Editors: Katie Greathouse, Catherine Wilson

 
Outstanding Achievement in Sound Editing – Musical
 
Bohemian Rhapsody
Fox Studios
Supervising Music Editor: John Warhurst
Music Editor: Neil Stemp

 
Outstanding Achievement in Sound Editing – Dialogue / ADR
 
Bohemian Rhapsody
GK Films / Fox Studios
Supervising Sound Editor: John Warthurst
Supervising ADR / Dialogue Editor: Nina Hartston
ADR / Dialogue Jens Rosenlund Petersen


Outstanding Achievement in Sound Editing – Effects / Foley
 
A Quiet Place
Paramount Pictures
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl, MPSE
Sound Effects Editors: Brandon Jones, Justin M. Davey, MPSE
Foley Artists: Steve Baine, Peter Persaud
Foley Editor: Jonathan Klein

 
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
 
Facing It
National Film and Television School
Supervising Sound Designer and  Editor: Adam Woodhams

 

 


 



 

 

Thank you to Audioanamix and Smart Post West for hosting our recent Sound Advice Event on August 8, 2018.  You can learn about and purchase the IDC (Instant Dialogue Cleaner) Software that was demoed

 

 

 

 


 

 

Who we are

Founded in 1953, the MPSE is an organization dedicated to improving the recognition of its members by educating the public and the rest of the filmmaking community as to the artistic merit of sound editing. The efforts of our talented and hard-working members can be heard every hour of the day all over the world.

MPSE members are the artists who sculpt dramatic sound effects and invent new sounds for imaginary worlds. In addition to sound effects editors, members also include Foley editors who edit the specially created sound effects performed to the picture that are so frequently taken for granted as a natural part of the scene, including footsteps, key jingles, leather jacket squeaks and so on. Dialogue editors are the craftspeople who painstakingly smooth out the production sound recorded on location. ADR editors help to seamlessly weave the re-recorded dialogue that replaces problematic tracks. Music editors work with composers and music supervisors to spot cues and stitch together a sonic tapestry from the original score and prerecorded music from various sources.

Each year the MPSE presents "The Golden Reel Awards," in which we acknowledge the year's best work in the various areas of sound editing: Dialogue, ADR, Effects, Foley and Music. 

Dear members of the Motion Picture Sound Editors:

It is with great pleasure that we announce the opening of submissions for the 65th annual Golden Reel Awards.  Our board continues to recognize the importance of change within the Motion Picture Sound Editors to reflect the current marketplace we work within.

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Sound Advice Logo

 
The Motion Picture Sound Editors are proud to present members-only events called “Sound Advice.” These events will be hosted by different studios and provide time for members to collaborate, socialize, and learn about areas of sound that they have not been a part of, or improve their knowledge and skills in their current area of expertise.

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