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66th Annual Golden Reel Awards Winners Photos Currently Available Here FILMMAKER AWARD
Antoine Fuqua
CAREER ACHIEVEMENT AWARD
Stephen H. Flick
Outstanding Achievement in Sound Editing – Animation Short Form
Overwatch
“Reunion”
Blizzard Entertainment
Supervising Sound Editor: Paul Menichini, MPSE
Audio Lead: Caroline Hernandez, MPSE
Sound Designers: Alexander Ephraim, MPSE Harry Cohen, MPSE, JP Walton
Sound Effects Editors: Christopher Battaglia, MPSE, John Thomas
Dialogue Editors: Isaac Hammons, Christopher Cody Flick
Foley Editor: Gary Coppola, MPSE
Foley Artist: Gregg Barbanell, MPSE
Supervising Music Editor: Derek Duke
Music Editors: Adam Burgess, Sam Cardon
Scoring Editor: John Kurlander
Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form
NextGen
Netflix
Supervising Sound Editors: David Acord, Steve Slanec
Sound Effects Editors: Kimberly Patrick, Pascal Garneau
Dialogue Editors: Qianbaihui Yang
Foley Artists: Ronni Brown, Margie O'Malley
Foley Editors: Jim Likowski, Ryan Frias, Richard Gould
Music Editor: Sebastian Zuleta
Outstanding Achievement in Sound Editing – Feature Animation
Spider-Man: Into the Spider-Verse
Sony Pictures Entertainment / Marvel
Supervising Sound Editors: Geoffrey Rubay, Curt Schulkey
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul, MPSE, David Werntz, Christopher Aud, MPSE, Ando Johnson, Benjamin Cook, MPSE, Mike Reagan, Donald Flick
Dialogue Editors: James Morioka, Matthew E. Taylor
Foley Artists: Gary Hecker, MPSE, Michael Broomberg, Rick Owens, MPSE
Foley Editor: Alec Rubay
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Searching for Sound Islandman and Veyasin Karga Seven Pictures / Red Bull TV
Supervising Sound Editor: Suat Ayas, MPSE Dialogue Lead: Justin Stark
Sound Effects Editors: Tolga Boyuk, Emin Yasin Vural Dialogue Editor: Okan Isik Outstanding Achievement in Sound Editing – Feature Documentary (Tie)
Free Solo
National Geographic Documentary Films
Supervising Sound Editor: Deborah Wallach Sound Effects Editor: Filipe Messeder, MPSE
Foley Artist: Nuno Bento
Foley Editor: Rolan Vajs They Shall Not Grow Old
Wingnut Films / Fathom Events / Warner Brothers
Supervising Sound Editors: Martin Kwok, Brent Burge, Melanie Graham, Justin Webster Supervising Dialogue Editor: Emile De La Rey
ADR Supervisor: Nigel Stone
Sound Effects Editors: Hayden Collow, Dave Whitehead
Dialogue Editors: Matt Stutter, MPSE, Helen Luttrell, Chris Todd, Matthew Lamboum
Foley Artist: James Carroll
Foley Editors: Craig Tomlinson, Tom Scott-Toft
Outstanding Achievement in Sound Editing – Computer Cinematic World of Warcraft: Battle for Azeroth
Blizzard Entertainment Supervising Sound Designer: Paul Menichini, MPSE Sound Designers: David Farmer, Harry Cohen, MPSE, JP Walton
Sound Effects Editors: Keith Bilderbeck, John Thomas, Alexander Ephraim, MPSE
Audio Lead: Caroline Hernandez, MPSE Dialogue Editors: Issac Hammons, Christopher Flick
Foley Artist: Gregg Barbanell, MPSE Foley Editor: Gary Coppola, MPSE Scoring Editor: John Kurlander Supervising Music Editor: Derek Duke Music Editor: Neil Acree Outstanding Achievement in Sound Editing – Computer Interactive Game Play
God of War
SIE Santa Monica Studio
Audio Directors: Rob Burns, Nassim Ait-Kaci Audio Lead: Mike Niederquel Sound Designers: Chris Clanin, Daniel Birczynski, Mike Maksim, Sam Bird, Roel Sanchez, Karen Waller, Erick Ocampo,
TJ Schauer, Jeff Darby, Adam Boyd, MPSE, Michael Finley, Chad Bedell, Patrick Ginn, Emile Mika, Eric Buensuceso, Karen Waller Dialogue Lead: Leilani Ramirez Supervising Sound Editor: Shannon Potter
Dialogue Editors: Justin Conmy, Ryan Schaad, Aaron Seiden, Jodie Kupsco, Heather Plunkard
Foley Artists: David Jobe, Dawn Fintor, Alicia Stevenson Supervising Music Editors: Peter Scaturro, Keith Leary
Outstanding Achievement in Sound Editing – Non-Theatrical Feature
Extinction
Good Universe / Universal Pictures
Supervising Sound Editors: Will Files, P.K. Hooker Supervising ADR Editor: Lisa J. Levine Sound Effects Editors: Justin Davey, MPSE, Ken McGill
Dialogue Editors: Ryan Cole, Polly McKinnon
Foley Artist: Steve Baine
Music Editor: Brett Pierce, MPSE
Outstanding Achievement in Sound Editing – Special Venue Age of Sail
Google Spotlight Stories
Supervising Sound Editor: Scot Stafford Sound Designer: Jamey Scott, MPSE
Sound Effects Editor: Jamey Scott, MPSE
Music Editor: Mark Willsher
Outstanding Achievement in Sound Editing – Foreign Language Feature
Roma Netflix
Supervising Sound Editors: Sergio Díaz, Skip Lievsay Sound Designers: Sergio Díaz, Skip Lievsay Supervising Dialogue Editor: Carlos Honc Navarro
Supervising ADR Editors: Carlos Honc Navarro, Ruy Garcia Dialogue Editors: Manuel Montaño Mancilla, Caleb Townsend, Michael Feuser
ADR Editors: Michael Feuser, Alexa Zimmerman Sound Effects Editors: Eric Dounce, Luis Huesca, Luis Parra, Mitch Osias, Craig Berkey, Javier Quesada, Steve Browell
Foley Artists: Alan Romero, Jay Peck
Foley Editor: Jaime Sainz, Igor Nikolic Outstanding Achievement in Sound Editing – Live Action Under 35:00
Short Treks
"The Brightest Star"
CBS All Access
Supervising Sound Editor: Matthew E. Taylor Sound Designer: Tim Farrell Sound Effects Editor: Mike Schapiro
Dialogue Editor: Sean Heissinger Foley Artists: Nancy Parker, MPSE, Chris Moriana
Foley Editor: John Sanacore, MPSE
Music Editor: Matt Decker
Outstanding Achievement in Sound Editing - Episodic Short Form – Music / Musical (Tie)
American Horror Story: Apocalypse “The End”
FX Networks
Music Editor: David Klotz Vikings "Moment of Vision" MGM Television / History Channel Supervising Music Editor: Yuri Gorbachow, MPSE Music Editor: Lise Beauchesne Outstanding Achievement in Sound Editing - Episodic Short Form – Dialogue/ADR
The Americans
"Harvest"
FX Networks
Supervising Sound Editors: Ken Hahn, Neil Cedar Dialogue Editor: Gerald Donlan
ADR Editor: John Bowen
Outstanding Achievement in Sound Editing - Episodic Short Form – Effects / Foley
Atlanta
"Teddy Perkins"
FX Networks
Supervising Sound Editor: Trevor Gates, MPSE Sound Effects Editor: David Barbee, MPSE Foley Artists: Tara Blume, Matt Salib Foley Editors: Geordy Sincavage, Michael Head, Jordan McClain Outstanding Achievement in Sound Editing – Single Presentation
Phillip K. Dick's Electric Dreams Sony Pictures Television / Amazon Studios
Supervising Sound Editor: Mark A. Lanza, MPSE Supervising ADR / Dialogue Editor: Mark A. Lanza, MPSE
Sound Designers: Harry Snodgrass, MPSE, Mark A. Lanza, MPSE
Sound Editor: Harry Snodgrass, MPSE Dialogue Editor: Ryne Gierke Foley Artists: Sarah Monat-Jacobs, Robin Harlan Foley Editor: Eryne Prine, MPSE Music Editor: Michael T. Ryan, MPSE, Brittany DuBay Outstanding Achievement in Sound Editing - Episodic Long Form – Music / Musical
The Marvelous Mrs. Maisel "We're Going to the Catskills" Amazon Studios Music Editor: Annette Kudrak Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR Westworld "The Riddle of the Sphinx" HBO Supervising Sound Editor: Thomas De Gorter, MPSE Supervising ADR Editor: Brett Hinton Dialogue Editors: Fred Paragano, Brian Armstrong, MPSE Outstanding Achievement in Sound Editing - Episodic Long Form – Effects / Foley
Altered Carbon
"Out of the Past"
Netflix
Supervising Sound Editor: Brett Hinton Sound Effects Editors: Owen Granich-Young, Mark Allen, Austin Krier Foley Artist: Noel Vought
Outstanding Achievement in Sound Editing – Music Score Spider-Man: Into the Spider-Verse Sony Pictures Entertainment Music Editors: Katie Greathouse, Catherine Wilson Outstanding Achievement in Sound Editing – Musical
Bohemian Rhapsody Fox Studios
Supervising Music Editor: John Warhurst Music Editor: Neil Stemp
Outstanding Achievement in Sound Editing – Dialogue / ADR
Bohemian Rhapsody GK Films / Fox Studios
Supervising Sound Editor: John Warthurst Supervising ADR / Dialogue Editor: Nina Hartston ADR / Dialogue Jens Rosenlund Petersen
Outstanding Achievement in Sound Editing – Effects / Foley
A Quiet Place
Paramount Pictures
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl, MPSE Sound Effects Editors: Brandon Jones, Justin M. Davey, MPSE
Foley Artists: Steve Baine, Peter Persaud
Foley Editor: Jonathan Klein Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
Facing It
National Film and Television School
Supervising Sound Designer and Editor: Adam Woodhams
Thank you to Audioanamix and Smart Post West for hosting our recent Sound Advice Event on August 8, 2018. You can learn about and purchase the IDC (Instant Dialogue Cleaner) Software that was demoed
 
Who we are Founded in 1953, the MPSE is an organization dedicated to improving the recognition of its members by educating the public and the rest of the filmmaking community as to the artistic merit of sound editing. The efforts of our talented and hard-working members can be heard every hour of the day all over the world. MPSE members are the artists who sculpt dramatic sound effects and invent new sounds for imaginary worlds. In addition to sound effects editors, members also include Foley editors who edit the specially created sound effects performed to the picture that are so frequently taken for granted as a natural part of the scene, including footsteps, key jingles, leather jacket squeaks and so on. Dialogue editors are the craftspeople who painstakingly smooth out the production sound recorded on location. ADR editors help to seamlessly weave the re-recorded dialogue that replaces problematic tracks. Music editors work with composers and music supervisors to spot cues and stitch together a sonic tapestry from the original score and prerecorded music from various sources. Each year the MPSE presents "The Golden Reel Awards," in which we acknowledge the year's best work in the various areas of sound editing: Dialogue, ADR, Effects, Foley and Music. |
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