Outstanding Achievement in Sound Editing – Feature Documentary

Free Solo
National Geographic Documentary Films

Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Filipe Messeder, MPSE
Foley Artist: Nuno Bento
Foley Editor: Rolan Vajs

 
Generation Wealth
Evergreen Pictures / Amazon Studios

Supervising Sound Editor: Peter Albrechtsen, MPSE
Sound Design: Peter Albrechtsen, MPSE
Dialogue Editor: Jacques Pedersen
Sound Editor: Lars Halvorsen

 
McQueen
Salon Pictures / Misfits Entertainment / Bleecker Street Media

Supervising Sound Editors: Alex Outhwaite, Richard Kondal
Sound Designer: Jack Gillies
Dialogue Editor: Stellos Koupertoris
Foley Artists: Paula Boram, Ricky Butt
Foley Editor: Jamie Roden

 
Quincy
Le Train Train, Bob's Your Uncle, Tribeca Production / Netflix

Supervising Sound Editor: Danika Wikke, MPSE
Sound Effects Editor: Taylor Westerfield

Shirkers
 Cinereach /Netflix

Supervising Sound Editor: Lawrence Everson
Sound Designer: Lawrence Everson
Dialogue Editor: Cindy Takehara Ferruccio

 
They Shall Not Grow Old
Wingnut Films / Fathom Events / Warner Brothers

Supervising Sound Editors: Martin Kwok, Brent Burge, Melanie Graham, Justin Webster
Supervising Dialogue Editor: Emile De La Rey
ADR Supervisor: Nigel Stone
Sound Effects Editors: Hayden Collow, Dave Whitehead
Dialogue Editors: Matt Stutter, MPSE, Helen Luttrell, Chris Todd, Matthew Lambourn
Foley Artist: James Carroll
Foley Editors: Craig Tomlinson, Tom Scott-Toft

 
They'll Love Me When I'm Dead
Tremelo Production / Netflix

Supervising Sound Editor: Peter Mullen, MPSE
Dialogue Editor: Graham Barclay


 
Three Identical Strangers
Raw TV / Neon

Dialogue Editor: Nas Parkash
Sound Effects Editor: Kim Tae Hak
Foley Editor: Chad Orororo



Won't You Be My Neighbor
Tremolo Productions / Focus Features

Supervising Sound Editor: Pete Horner
Sound Designer: Al Nelson
Sound Effects Editor: Teresa Eckton