Outstanding Achievement in Sound Editing - Episodic Long Form – Dialogue/ADR

 

Better Call Saul: "Something Unforgivable"

AMC

Supervising Sound Editor: Nick Forshager, MPSE

Supervising ADR Editor: Kathryn Madsen, MPSE

Dialogue Editor: Jane Boegel

 

Dark – “Life And Death”

Netflix

Supervising Sound Editor: Alexander Wuertz

Supervising Dialogue Editor: Thomas Kalbér

Supervising ADR Editor: Benjamin Hörbe

Dialogue Editor: Gaston Ibarroule

ADR Editors: Clemens Nürnberger, Jan Cziharz

 

Fargo: "The Pretend War"

FX

Supervising Sound Editor: Nick Forshager, MPSE

Supervising ADR Editor: Tim Boggs

Supervising Dialogue Editor: Todd Niesen, MPSE

 

Ozark: "All In"

Netflix

Supervising Sound Editor: Nick Forshager, MPSE

Dialogue Editor: Todd Niesen, MPSE

ADR Editor: Steve Grubbs

 

Star Trek: Picard "The Impossible Box"

CBS All Access

Supervising Sound Editor: Matthew E. Taylor

Dialogue Editor: Sean Heissinger

 

The Crown: "Fairytale"

Netflix

Supervising Sound Editor: Lee Walpole, MPSE

Dialogue Editor: Jeff Richardson

ADR Editors: Tom Williams, Steve Little

 

The Queen's Gambit: "End Game"

Netflix

Supervising Sound Editors: Gregg Swiatlowski, Eric Hirsch

Sound Designer: Wylie Stateman

Dialogue Editors: Mary Ellen Porto, MPSE; Eric Hoehn

 

Westworld: “The Mother of Exiles”[KG1] 

HBO

Supervising Sound Editor: Sue Gamsaragan Cahill

Dialogue Editors: Jane Boegel-Koch, Tim Tuchrello


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